Tuesday, July 20, 2010

Stars in the Night - Excerpt of Chapter 1


Stars In The Night
Summerside Press (July 1, 2010)

by
Cara Putman


Chapter 1



One day earlier
Thursday, June 4, 1942



“Well, well, Audra. I do believe you’re ready to take this matter to trial.”

Audra Schaeffer soaked in the atypical praise. While Roger Clarion was a good man and fair boss, he did not toss praise around for any and all to hear. Satisfaction pulsed through her. After seven years of school and two years where the only job she could find after law school required her to serve as a paralegal, Mr. Clarion had given her a chance. If everything went well, she’d litigate her first case in Superior Court Two in one month. A simple case, but it was hers.

He pulled reading glasses low on his bulbous nose and examined her over the rims. “Don’t let me down, or we’ll both be the laughingstock of the Indianapolis legal community.”

“Yes, sir.” The image of her standing at the podium in front of the counsel table, a legal pad resting on it, filled her mind. She’d finally done it! She’d earned the right to try a case.

He smiled then shook his head. “I never thought I’d see the day when I’d have a woman working for me as an attorney, of all things.” After a twist to his bow tie and a tug on his sweater vest, he stood and grabbed the wool jacket hanging on the coat tree in the corner of his office behind the massive cherry desk. “Now get out of here. I understand you have an important call to take back home.”

Audra couldn’t hide the smile that tugged at her lips. “Fortunately, Rosemary’s usually a few minutes late.” Since the day she was born a week late, Rosemary couldn’t be hurried to join the rest of the world. Audra stood and walked to the doorway. “You can’t believe how hard it is to wait for her calls. But it is a blessing her landlady allows Rosie to call us regularly from her phone. I don’t think Mother could handle it if we didn’t have our weekly report on all things Hollywood.”

Mr. Clarion chuckled. “Off with you. Can’t stand in the way of that.”

“See you in the morning, sir.” Audra hurried from the office and scooped her hat and purse from the seat of her desk chair. If she hurried, she’d make the bus that would get her home in time for Rosemary’s call. Being a little out of breath would be worth it if she could steal a few moments with Rosemary without her parents listening. Audra pushed through the front door into the bright sunshine of an early summer Indianapolis day. Squinting against the brightness, she merged into step with the other commuters headed to carpools or buses. The sidewalks pulsed with energy as people hustled to get home to dinner and their families. The United States had only been at war a few months, but already women outnumbered men on the sidewalks.

Audra glanced at her watch and sped up her pace. Her high heels clicked against the concrete as she did everything but run toward the bus stop, one hand squishing her hat securely to her head. Ahead she could see the behemoth belching exhaust as it idled, waiting for passengers. She had to reach it, because she couldn’t miss Rosie’s call.

The last time Rosie called home, she’d been out of sorts. Short. Distracted. Tense. Yet no matter how Audra had tried, she couldn’t pull what bothered her from Rosemary. She imagined her sister doodling nonsense images on a piece of paper as she held close what disturbed her. If Rosie were home, Audra could eventually tease the problem from her and help her deal with the situation. But now, with so many miles separating them, Audra felt powerless and impotent to do anything. How she hated that. She was supposed to smooth out Rosie’s problems, as she had all through high school when the boys decided Rosie was the cat’s meow—her long legs and sweet face attracting them long before she was aware of their looks.

Audra reached the bus and her shoulders sagged. She’d made it. She climbed the steps, deposited her coin, and found a seat in the back by one of the lowered windows. Though tinged with the stench of diesel, the trickle of outside air seemed fresher than that in the bus.

“Is this seat taken?”

Audra looked up and smiled at an older woman. “Please.”

The woman, burdened with a couple bags of groceries, collapsed onto the seat next to her. She fanned her face and turned forward. “I didn’t think I’d make it in time. My kids would have been mighty disappointed if they had to wait for supper while I waited for the next bus.”

Audra smiled politely then turned back to the window. She twirled a strand of hair around her finger then tucked it behind her ear.

Tonight, Rosemary would have funny stories to weave about people she’d observed, stars she’d met, and roles she’d almost landed. The dinner table had been too quiet since she moved to California six months earlier. She’d set her face toward the West and moved, determined to make her mark on the world.

Memories of the many times Rosie had stubbornly set her path before flowed through Audra’s mind. Time after time Audra had stepped in to either help the dream come true or staunch a pending disaster. She hid a chuckle behind her hand at the image of Rosemary’s determined attempt to make the costumes for a neighborhood play one summer. She’d written a script, drafted neighbor kids for the various roles, and then decided nothing less than specially made costumes would work for her production. Only problem was, she’d never sewn a stitch in her life and Mother was visiting a sick relative. That had left Audra to fill the gaps, something she’d gladly done. The play had been a neighborhood smash, the parents overlooking the melodrama and applauding the kids’ efforts. And Audra stood in the background enjoying Rosie’s success.

Similar scenarios had played out through Rosemary’s in-between years. And Audra had loved stepping in to smooth the rough spots in Rosemary’s big plans. She wondered if Rosie had anyone to do that for her now.

Rosemary would call.

Then Mother would smile, and Daddy would lose the tight lines around his eyes.

And everything would return to normal.

And for once, Audra had exciting news of her own to report to Rosemary. Her sister would understand how hard Audra had worked for this opportunity and what it meant to have her own case. Rosemary might aspire to appear on the silver screen. All Audra had ever wanted was to appear in court, weaving arguments that won the day. She had followed her grandpa around his one-man firm for a summer, and the legal bug had bitten hard.

A tremor of excitement coursed through Audra at the thought she would finally get to stand in front of a judge and make the arguments that would determine the outcome for her client. Yes, she had news of her own. Her dreams were ready to come true.

Sunday, July 18, 2010

Heartless - Chapter 1

Heartless
Bethany House (July 1, 2010)

by

Anne Elisabeth Stengl



Chapter 1


Five Years Later

"Do you think they will come before the year is out?" Princess Una asked her nurse.

"Who will come?" her nurse replied.

"Suitors, of course!"

Though the sun was bright, the air blew chill through the open window that spring morning, and Una wrapped a shawl around her shoulders as she sat waiting for Nurse to finish the awful business of preparing her for the day. Nurse, who had long since ceased to function as a real nurse and these days played the part of maid and busybody to her princess, wielded a brush with the tenderness of a gardener raking last year's dead leaves, making every effort to tame Una's honey-colored hair into an acceptable braid. One would have expected that, with many years' practice, she might have acquired rather more gentleness. Not so Nurse.

She paused now, mid-tug, and scowled at Una's reflection in the glass. "What brings on this fool talk?" She raised a bushy eyebrow and gave the braid an extra tug, as though to wrest all the unruliness out of it in one go. "You keep your mind busy with your lessons and deportment, just as always, and leave that messy business of courting and arranging marriages to your father, as is right."

"But I'm of age!" Una winced again and tried not to pull away from the vicious brush. She twisted her mouth into an unattractive shape as pain shot through her scalp. "Papa always said that he wouldn't accept a single inquiry from a single prince or single dignitary in a single realm of the whole Continent until I came of age."

"As is right."

"Well, now that I'm eighteen, shouldn't he start receiving them? When will they come to pay their respects?" To pay their respects, according to the definition given the phrase by the courtiers of Oriana Palace, was a tactful way to say, investigate marriage possibilities with the resident princess.

"That's not for you to be speculating, Miss Princess," said Nurse. She pronounced it "speckle-ating." Una dared not laugh. Though Nurse had not been brought up to speak an elegant dialect, her ideas on what was and was not proper behavior for a princess went far beyond anything Una had ever learned from her decorum instructors.

"Suitors indeed! Why, in my day, a girl never put two thoughts together concerning a boy—not till her father gave her the go-ahead."

"Never?"

"Not once!"

"Not even when—"

Nurse whapped the top of Una's head with the back of the brush. "No more! There, you're tidy as mortal hands can make you. Get you gone to your morning tutorials, and I don't want to hear another word of this romantic drivel!"

Rubbing the top of her head, Una gathered herself up, grabbed an armload of books, and made her way to her chamber doors, muttering, "I like romantic drivel." She stepped from the room and, just as the door swung shut behind her, called over her shoulder, "Your day was a singularly unromantic one, Nurse!"

The door clunked, and Nurse's voice came muffled from behind. "You'd better believe it!"

Una glared at the closed door. A demanding "Meeeowl?" at her feet drew her gaze, and she looked down at her cat, Monster, who sat before her, his tail curled elegantly about his paws. He seemed to smile all over his furry face, despite his lack of eyes.

She wrinkled her nose at him. "Don't look so smug."

With that, she turned on her heel and marched down the corridor, the blind cat trotting behind, unlike a dog in every way because, of course, he wasn't truly following her. He merely happened to be going her way.

"Nothing in life is as romantic as it should be, Monster," Una said as they made their way along the white hall and down a graceful staircase. She nodded civil acknowledgements to members of the household who greeted her as she passed. "Here I am, a princess, of age to be courted and married, and where am I? On my way to another history lesson! Then there'll be a tutorial on the proper ways to address ambassadors from Beauclair as opposed to dignitaries from Shippening. Then dancing. And not a single respects-paying gentleman of certain birth as far as the eye can see." She sighed at the heaviness of the world. "Nothing ever changes, Monster."

"Meeaa?" the cat said.

Una looked down her nose at him. "You're not just saying that, are you? Trying to make me feel better?"

"Meeaa."

"I knew it." She sighed again. "Someday, Monster, won't you express an original idea? For me?"

Felix waited for her in the large but nonetheless stuffy classroom they shared, doodling caricatures of their tutor in the margins of an essay he was supposed to be composing. He scarcely looked up when Una entered. Monster took a moment to rub a cheek against the young prince's knee before dodging Felix's backhand and arranging himself on the windowsill to catch the sunlight.

Una took a seat and opened her book just as the tired-eyed tutor shuffled in. He fortified himself behind his desk, attached a pair of spectacles in place—which made his eyes seem still more tired—and looked upon his students with the air of a man resigned to his fate.

"At what are you so diligently working, Prince Felix?" he asked. His voice never varied from a mournful drone.

Felix held up his essay full of doodles.

The tutor winced. "Most amusing, Your Highness."

"See how big I made the nose on this one?"

"A remarkable likeness, Your Highness."

"Doesn't look a thing like him," Una said.

Felix made a face. "Not supposed to. This one's you."

The tutor closed his eyes during the ensuing argument and let the storm pass. When at last calm returned, he slowly creaked his eyelids back up and dared face the world again. "Prince Felix, do you recall at what passage we left off our reading yesterday?"

"I do," Una said.

"He was talking to me!"

She continued, "We were studying the rise of Corrilond in the year of the Sleeper's Awakening during the reign of King Abundiantus IV—"

"Know-it-all!"

The tutor shoved his glasses up onto his forehead and rubbed his eyes. It was a day like all others, a mirror of yesterday and a foretelling of tomorrow: The prosperous sameness and drudging boredom of lives placidly spent proceeding as endlessly as the mind could conceive. Nothing ever really changed, and as far as anyone in Oriana Palace could surmise, nothing ever would.

But then, something did.

***


For two hundred years they had not been seen.

They first appeared as deeper shadows among the shadows of the Wood, all staring eyes and sniffing noses, as wary as children dipping a toe in deep water, fearful to take a dive.

Then one stepped forth, and he, with a smile, beckoned to the others. A huge creature with eyes as wide and white as the moon and skin like craggy rocks followed with a strange grace of movement; behind him walked another who was black as a shadow but whose eyes shone like the sky. After these came the others. Out of the Wood they streamed in parade—carrying with them the scent of dusk, the sound of dawn—and they arranged themselves upon the lawn outside the walls of the city of Sondhold, in the shadow of Goldstone Hill.

A shepherd boy saw them first. His heart leapt with fear at the sight, though not because of their strangeness, for such strangeness he had witnessed a thousand times in dreams. Rather, he feared that he dreamed them now and that, as soon as his old dad caught him snoozing at his watch, he'd fetch a hiding and perhaps be sent to bed without supper. So he pinched himself, and when that did not work, he pinched himself again.

His lazy flock all lifted their heads, regarded the oncoming throng a moment, and then returned to their grazing. But the quick-eyed herding dog let out a joyous bark and left the shepherd, left the flock, and ran to greet the strangers as though welcoming long-lost friends.

Then the boy jumped up and ran as well, shouting as he went. But he ran the opposite direction, down the dusty path toward Sondhold. Though he had only ever seen them in dreams, he recognized those who came.

"The market! The market!" he cried. The guards at the gates let him through, calling derisively after him, but he paid them no mind. "The market!" he shouted, gathering too much speed so that he lost his balance and scraped the skin from his palms and knees. But he was up again in a flash, shouting all the louder. "The Twelve-Year Market is come from the Wood!"

The very oldest grandmama in all Sondhold could only just recall her old grandmama talking about her grandmama's visit to the Twelve-Year Market. Many families in the city boasted prized heirlooms, strange oddities handed down from father to son, mother to daughter, for generations. A silver spoon that never tarnished; a kettle that sang familiar old tunes when the water boiled; a mug that never let the tea grow cold; a pair of boots that, if polished with the right stuff, would carry a man seven leagues in a step—too bad the polish ran out ages ago. The items once purchased at the Twelve-Year Market were rare and wonderful indeed, items of Faerie make and ever so expensive. But the Twelve-Year Market was the stuff of stories.

Until it showed up on the lawn below Goldstone Hill that day in early spring, soon after Princess Una came of age.

A washerwoman hanging up her second load of the day to dry paused in her work, her wrinkled white fingers momentarily still as the shepherd boy ran by. "The Twelve-Year Market!" he bellowed as he went, and she dropped the clean shirt—dropped it right in the dust—brushed off her apron, and hitched up her skirts to hasten from the city, out to the green lawn.

The boy ran on, shouting, "The market! The market is come!"

Merchants by the docks closed up booths and locked away their wares.

"The market!" the shepherd boy cried.

The cobbler's wife and the baker's sister ceased their gossip, blinked startled eyes, and joined the merchants.

The boy went on, shouting until he was too hoarse to make himself heard, but by then his work was complete. The folks of Sondhold streamed through the gates: the washerwoman, the merchants, the cobbler's wife and her brood of children, even the guards who were supposed to stand at the gates. They all made their way down the dusty track from the city to the lawn below the hill. There they beheld the Faerie bazaar.

They stopped on the fringes, afraid to go forward.

The first to hail them was a man so incredibly ancient that his upper lip nearly reached his chin. His skin was like a walnut, and his eyes like acorn caps. A big black sow pulled his rickety cart, on which two enormous pots of alabaster hummed, as though some musical instrument played the same three notes again and again inside. Water sloshed as he lifted them down, and the city folk could hear the creak of every joint in his body, a crackling percussion accompanying the humming.

When he saw the gathering crowds his acorn-cap eyes winked twice, first with fear, then with a smile. "Come!" he cried, raising a gnarled hand, beckoning. "Come, folk of the Near World! Come inspect my wares! Unicorn fry, fresh from the sea, caught just this morning—or last century, depending on your view. Learning to sing; hear them for yourself! Come hear the sea unicorn young as they sing!"

The folk of Sondhold looked from him to each other, afraid to move closer, unwilling to leave.

Then the cobbler's wife took hold of her youngest son and strode boldly to the lawn, her chin set in defiance though the baker's sister called a warning to her. "I'd like a look," she told the old man with the acorn-cap eyes.

He grinned and lifted the lid of one jar. The strange humming filled the air, only three notes dancing in the ears of all those near, but the sweetest three notes ever played together.

The cobbler's wife stood on tiptoe to peer inside. "Coo!" she breathed. Then, "May I show the boy?"

The old man nodded, and she lifted her littlest one to peer into the alabaster jar. The child made a solemn inspection and finally declared, "Pretty."

"Unicorn fry!" the old man cried. "Caught fresh this morning! I'll sell them at a bargain, good dame, and you can raise one at home, hear sweet music every day!"

With that, the market truly opened. The crowd standing on the edges of the lawn could not bear to miss whatever wonders lay just before them, and they flooded in to inspect the hundred colorful stalls. The lawn below Goldstone Hill was suddenly as merry as a festival, as noisy as a circus, as frantic as a holiday. Music sang from all corners, outlandish music on outlandish instruments played by even more outlandish people. But although the songs were different, somehow they blended into each other in cheerful harmonies, often underscored by a low, melancholy tune that heightened the curiosity and the fun of those who browsed the many stalls.

Word spread fast. Soon all of Sondhold was bestirred. Working girls feigned sickness to be excused, and schoolboys made no pretense of attending classes. The washerwoman let the dirtied white shirt lie untouched, and the smithy allowed his fires to die. How could anyone attend to mundane things on the day of the Twelve-Year Market?

The hubbub bubbled all the way to the crest of Goldstone Hill and flowed on into the palace, where Princess Una sat with her nose in her history text, wallowing in academic misery. Dates and battles and dead kings' names swam before her eyes while spring fever, cruel and demanding, picked at the back of her brain. She and her brother had ceased their squabbling for the time being, and their tutor's voice filled the room in one long, endless drone that commanded no one's attention, least of all the tutor's.

Monster stood up on the windowsill. He stretched, forming an arch with his body, and flicked the plume of his tail. Then, after a quick wash to make certain his whiskers were well arranged, he interrupted the lecture.

"Meaaa."

The tutor droned on without a glance at the cat. "Abundiantus V was never intended to sit upon his father's throne, being the second son—"

"Meaaa!" Monster said, with more emphasis this time. He unsheathed his claws and scratched the window, a long grating noise.

"Dragon-eaten beast." Felix threw a pencil at the cat's nose, missing by inches.

"Princess Una," the tutor said, "we have had this discussion. Would you kindly remove that creature from the room so that our studies may continue uninhibited?"

Una huffed and went to the window. But when she reached for him, Monster made himself heavy and awkward, slipping through her grasp. He landed back on the windowsill with another "Meeeaa!" and pressed his nose to the glass.

Una looked out.

She saw the colors. She saw the movement. She saw the dancing far below, as though she was suddenly gifted with an eagle's eyes and able to discern every detail even at that great distance. Wonderingly, she opened the window, and music carried up Goldstone Hill and filled the room.

"Oh," she said.

"Meeeea." Monster looked smug.

Felix was on his feet and at her side in a moment. He too looked down. "Oh," he said.

The tutor, frowning, came around from behind his desk and joined them at the window. He looked as well and saw what they saw. His mouth formed an unspoken "Oh."

A clatter of hooves in the courtyard drew their gazes, however unwillingly, from the sight down the hill. Una and her brother saw their father, King Fidel, mounting up with a company of his guard around him. Brother and sister exchanged a glance and bolted for the door, falling over themselves in a headlong dash from the chamber, down the stairs, and out to the courtyard, heedless of the tutor's feeble attempts to restrain them. Monster trailed at their heels.

"Father!" Una burst into the courtyard, shouting like a little girl and hardly caring that she drew the eyes of the stable boys and footmen standing by. King Fidel, upon his gray mount, looked back at his daughter. "Father!" she cried. "Are you going to see?" She did not have to say what.

"Yes, Una," Fidel replied. "I must make certain all is well below."

"May we come?" Una said, and before the words were all out of her mouth, Felix was shouting to the stable boys, "My horse! Bring my horse!"

King Fidel considered a moment, his eyebrows drawn. But the day was fine, the air was full of holiday spirit, and his children's faces were far too eager to refuse. "Very well."

Una and Felix rode on either side of him as he descended the King's Way, the long road that wound down Goldstone Hill to the teeming lawn. The breath of the ocean whipped in their faces, carrying the spice of other worlds up from below.

Sheep left neglected trailed across the road as the riders came to the bottom of the hill. The animals trotted out of the way, lambs scurrying behind their mothers. Una saw a man leaving the market with a great embroidered rug over his shoulder, and children ran hither and yon eating golden apples. A juggler tumbled just in front of Felix's horse, tossing what at first looked like knives, but then seemed to be silver fish, and then, Una could have sworn, shooting stars. A dancer with eyes as large and wet as the moon on water, with pupils like a cat's, too strange to be either beautiful or ugly, twirled past trailing what could have been iridescent scarves or perhaps wings. A man with green-cast skin sprang alongside Una's mount and held up an empty hand. Flowers bloomed from his fingertips, and he smiled hugely, bobbing and bowing.

"Blossoms for the lovely lady? A fair price! Always fair! I do but ask for a strand of your hair. Is that not fair? A single strand of hair!"

Una urged her horse closer to her father's, uncertain whether or not to be frightened. But the green-cast man darted away into the crowds, shouting as he went, "Prices always fair! Blossoms to share!" She could hear his voice amid the din long after he vanished from sight.

Fidel's guards called out in large voices, heralding the king's arrival. But their words hardly carried over the music of the market, and the crowds did not part. The people of Sondhold, their eyes wide and wondering, scarcely spared a glance for their king or his children. King Fidel smiled as he looked around, for despite the noise and the otherworldliness of it all, it was impossible to remain unmoved by the wonders and the excitement. He called the captain of his guard to him and said, "Try to find out who is in charge here, will you?"

Before he had quite finished speaking, a path suddenly emerged in the crowds, and the most enormous person Una had ever seen stepped forward. He stood at least seven feet tall and was terribly ugly. He so exactly fit the image of a goblin she'd held since childhood that, at first sight of him, she felt all her limbs go atremble. But despite his craggy skin that looked as though it would turn sword blades and arrowheads, his face was welcoming.

He raised a hand and called a greeting to the king. "Fidel of Parumvir," he said, "welcome to the Twelve-Year Market."

Fidel raised an eyebrow and inclined his head, and because he was king he showed no sign of fear if he felt it. "And welcome to Parumvir, stranger," he said. "You make yourself quite free in my lands without so much as a by-your-leave." His voice was not unfriendly, but he spoke as a king not a friend. "What is your name?"

The goblin-man, now near enough for Una to see that he stood taller than the ears of her father's horse, bowed low. He was clothed all in white, with a golden belt and a long knife at his side. "I am Oeric," he said when he straightened, "knight in the service of the Prince of Farthestshore."

"Farthestshore?" Fidel repeated.

It was a name from ancient days, from tales so old they were no longer called history but relegated to legend; and even in legends, these tales were mentioned only as myths believed by heroes of long ago. Yet the name of Farthestshore was deeply imbedded in the earth of Parumvir and all the nations of the Continent. When she heard it spoken, Una caught again that strong scent of the sea that she had smelled as she rode down the King's Way. It came to her in a rush, overpowering the thousands of foreign spices and perfumes that misted the air of the market.

Odd, for she had grown up just a few miles from Sondhold Harbor, where tall ships sailed to and from far-off countries, and she had grown so used to the smell of the ocean that she no longer noticed it. But she caught it now, that whiff of wildness and salt and sun and storms, and she wondered how she could ever bear to sit long hours over textbooks or tapestry when that smell beckoned so?

Her father's voice brought her back to the present. "Has the Prince of Farthestshore placed you in charge of this bazaar?"

Sir Oeric answered, "The Prince himself has led us here. Many would not have dared come otherwise. He is near at hand, and you shall meet him anon."

"And in the meanwhile, you and your folk make yourselves at home upon my lawn?"

Sir Oeric bowed again. "It is an ancient and time-honored tradition, Your Majesty, that the people of the Far World visit the Near every twelve years so that we do not too soon forget one another. This very lawn has been kept clear and clean for that purpose. We apologize if we disturb you, but we of the Far World do not so swiftly forget agreements."

Fidel considered this a moment, his face quiet so that Una could not read it. "You're rather late, don't you think?" he said at last. "You have not come to Parumvir in the time of my father or that of his father. If I am not mistaken, it has been two hundred years at least since a Twelve-Year Market was recorded."

"But only twelve years as my folk count it."

"Then your years are much longer than ours."

"Shorter too, Your Majesty. And also wider and narrower, if you will." Sir Oeric smiled, and Una glimpsed sharp fangs. "Time is rather friendlier with the people of Faerie." Then his smile vanished, and his moon-wide eyes were serious. "We bring goodwill, Your Majesty, and wares to delight your kingdom. The Prince himself will assure you of this when you meet him. I know he wishes only to please you with our presence."

"I am eager to meet him."

"Until that time, Your Majesty, would your children like to explore the market?"

Fidel looked at Una and Felix. The prince was already scrambling from his horse, and Una was no less excited. "Very well—" he said, and the two were off like a shot.

All fear overwhelmed by curiosity, Una followed her brother deep into the gathered throng. The people of Sondhold were at first too enchanted with the strangeness surrounding them to take notice, but by and by they recognized the faces of their prince and princess and edged away so that Una and Felix had a circle of distance around them everywhere they went. As she trailed behind her lanky younger brother, inspecting the wares presented before her eyes, Una could not believe that only a short hour before she had been locked away in that den of a schoolroom. The world had taken on a sudden romance and adventure, and anything was possible.

A woman with feathers in her hair—whether she had put them there or they grew right from her head, Una could not guess—beckoned her near to look at fine cloth. "Woven from all the scents of summer," she whispered in a voice like wind-stirred trees. Una reached out to touch it, but the woman snatched it back. "For a price," she said. "Only for a price."

"The lady is not interested in such nonsense as yours!" said the vendor of the next stall over. He was a dwarf with a red face and slanting eyes that disappeared behind the folds of the most enormous grin Una had ever seen. "Step this way, damsel fair. Step this way and see what Malgril has to offer!"

She obeyed, and he pulled back a cloth to reveal silver statues of intricate work—little animals set with jewels for eyes. "Lovely," she said.

"But wait," said the dwarf. "Watch closely."

She smiled and looked again. The animal statues were of the most exquisite workmanship, the bodies engraved all over with delicate scrollwork. They were of creatures she did not know or beings she recognized only from stories: a cat with a woman's head, a snake with wings, a centaur, and a gryphon.

She blinked. Then she gasped.

The little figures had moved. Or had she imagined it? She blinked again, and sure enough, the woman-cat's tail twitched, the gryphon's mouth opened, the centaur turned his head.

"The scrollwork," said the dwarf, "was wrought by my brother, the great Julnril himself. These are powerful charms, like those of the ancient golems. Do they please your ladyship? Would she hold one in her hand?" The dwarf picked up the winged snake and held it out to her, but when Una looked at it, blinking fast, it seemed to writhe in his fingers. She stepped back, smiling again but shaking her head.

Felix's voice caught her attention. "Are you sure these are my size?"

"Standard size, my lord," someone replied, and Una turned to see Felix sitting before a cobbler's bench, shoving his foot into a boot made of old leather. It was a tough fit, and Felix made faces in his efforts to pull it on. The cobbler, rubbing his hands together, nodded and smiled and spoke encouragingly. With a final tug, Felix's heel slid into place, and the prince stood up. "And these are seven-league boots, are they? They kind of pinch—"

"Don't stamp your feet!" the cobbler cried, but too late.

Una yelped. Her brother had vanished.

Immediately the cobbler began ringing a bell and shouting at the top of his lungs, "Thief! Thief! Stop, thief!"

The next instant, huge Sir Oeric appeared, shaking a fist at the cobbler. "You shouldn't insist your customers try them on if you don't want them to run off!"

"He must pay! He must pay!" the cobbler insisted.

"Give me a pair, and I'll fetch him back."

"But, sir—"

"At once!"

King Fidel was there by now with the guardsmen, along with a great hustle of people, all shouting. "Which way did he go?" "He'll be halfway to the Red Desert by now!" "You certain he didn't step toward the sea?" "Fool boy, won't know enough to turn around and come back!"

"I'll get him for you, Your Majesty," Sir Oeric declared, pulling on another pair of the cobbler's special boots. Amazingly, they seemed to grow to fit his enormous feet. The next moment he vanished as well, and the yells of the market-goers doubled. The cobbler, grinning from ear to ear, was suddenly blessed with the best business he'd managed that day.

Una watched it all, laughing to herself and feeling a bit jealous of the fun Felix was having. She turned back to the silver statues but found herself instead looking into a pair of huge white eyes in a face like gray stone.

"My lady, would you have your fortune told?"

The man before her was the ugliest she had ever seen, uglier even than massive Sir Oeric. He was small, smaller still because he huddled into himself, and when he smiled he also displayed rows of sharp fangs. But then again—and here she frowned, for surely her eyes were lying to her one way or the other—he was also beautiful. Like the silver statues that moved only when she blinked, so this shrunken man seemed to change his face for hairbreadth moments, as though a veil wafted over his features and then away again. In those moments, he was beautiful.

He bowed to her. He was dressed in red robes, his head covered with a golden cap edged in intricate embroidery. With a sweep of a long sleeve, he indicated a tent, also red and worked with gold. Glittering beads hung over the opening, and all was dark inside.

"My lady," he said, "you are newly come of age; I read it in your eyes. Are you not curious to know what fates await you this day, this week, this month and year? Catch a glimpse perhaps of your future lover; see the smiles of your children? Torkom of Arpiar is no charlatan. Torkom of Arpiar knows the secrets, and he will tell you."

The ugliness faded more and more as he spoke, and his face grew ever more trustworthy. After all, had not Sir Oeric declared that the people of the market brought only goodwill? If she was going to trust him, a goblin, why should she not trust this beautiful being?

She followed him into the tent. The beads shimmered like so many stars as the tall man held them back, and she stepped into a room full of warm, rosy light. Curtains of gauzy fabric, embroidered and beaded, hung suspended from the center bar, and she had to push them aside as she stepped deeper and deeper into the tent. It was bigger inside than she could have guessed from looking at the outside; curiously it seemed to grow as she went. But the rose-colored light was beautiful, and the smell all around was too sweet for her to feel afraid.

At last Una pulled back a final drape, which felt like fine milkweed to her fingers, and found a low cushioned stool and a wooden box so dark that it looked black.

The fortune-teller appeared beside her and, taking her hand, gently led her to the stool. "Sit, lady, sit," he said. "Torkom will tell you your secrets. Trust him to know. Trust him to tell."

She trusted him. The sweet smell made it impossible not to. The perfume of the roses intoxicated her, though she did not recognize the scent. She allowed the man to seat her upon the cushioned stool. For a moment he remained bowed over her, holding her hand so close to his face she thought he might kiss it. But instead his large eyes inspected the ring on her finger.

"Such a lovely piece," he said. "Opals, yes?"

Breathing in roses, Una nodded. "My mother gave it to me. Before she died. I wear it always."

"Ah!" Torkom's smile grew. "Such a gift. A gift of the heart. Not one to part with too soon."

"I wear it always," Una repeated and drew her hand from his grasp. She put both her hands in her lap, covering her ring.

Torkom bowed himself away and knelt to open the dark wooden box.

Fascinated, Una watched him put his hands inside and lift out a strange object. At first she thought it was a shield, for it was the right size and shape, wide at the top and narrowed to a point at the bottom. But it was subtly concave, and the outside was black and rough, a natural roughness like rock. The inside, however, gleamed gold, and the air shimmered around it as if with heat.

Torkom, his teeth showing in what was almost a smile but might have been a grimace of pain, held the strange object out to Una. "Lady," he said, his voice hissing. "Lady, if you dare, behold your future. Look inside." He held the black shield out to her, and Una leaned forward.

Hot air rising from the golden surface hit her face. Inside she saw her own reflection, wincing but curious. Nothing more.

"Take it," Torkom whispered. She could not see him through the haze of heat and the glare of gold, but his voice worked like magic in her ear. "Take it, lady."

She put out her hands and took hold of the shield.

Heat seared up her fingers, through her arms, and wrapped about her head like a fiery vine. She gasped but could not take her eyes from the bright surface, which writhed suddenly like melted gold.

A face took shape. Black eyes ringed with flames, bone-white skin, and teeth like a snake's fangs. It looked at her, and she could not tear away her gaze. A voice flared in her mind, speaking not in words but in a language of heat and smoke that burned in her mind:

Beloved of my enemy! I played for you, didn't I? I played for you and won! Are you not the one I seek?

Una could not answer, could not break his gaze. The heat from the golden shield was like strong arms pulling her down, drawing her face closer and closer, and the fiery words rolled about her, a thunderstorm.

Where are you? Where are you?

Then another voice spoke.

"Stop!"

Sunday, July 11, 2010

Back On Murder - Chapter 1

Back On Murder
Bethany House (July 1, 2010)

by
J. Mark Betrand




Chapter 1



I'm on the way out. They can all tell, which is why the crime scene technicians hardly acknowledge my presence, and my own colleagues do a double take whenever I speak. Like they're surprised to find me still here.

But I am here, staring down into the waxy face of a man who, with a change of wardrobe, could pass for a martyred saint.

It's all in the eyes. Rolling heavenward in agony, brows arched in acute pain. A pencil mustache clinging to the vaulted upper lip, blood seeping through the cracks between the teeth. The ink on his biceps. Blessed Virgins and barb-wired hearts and a haloed man with a cleft beard.

But instead of a volley of arrows or a vat of boiling oil, this one took a shotgun blast point-blank just under the rib cage, flaying his wife-beater and the chest cavity beneath. He fell backward onto the bed, arms out, bleeding out onto the dingy sheets.

Lorenz stands next to me, holding the victim's wallet. He slips the license out and whistles. "Our boy here is Octavio Morales."

He's speaking to the room, not me personally, but I answer anyway. "The money guy?"

"La Tercera Crips," he says, shuffling away.

I've never come across Morales before now, but his reputation precedes him. If you're short of cash in southwest Houston, and you don't mind the crippling interest rates or getting mixed up with the gangs, he's the man to see. Or was, anyway. Guys like him go hand in hand with the drug trade, greasing the skids of the underground economy.

"If this is Morales, then I guess the victims in the living room are his muscle?"

Nobody answers my question. Nobody even looks up.

Morales lies on the bed just inside the door, now blasted off its hinges by multiple shotgun volleys.

Down the hallway, another body is twisted across the bathroom threshold, clutching an empty chrome 9mm with the slide locked back. I step around him, avoiding the numbered evidence tags tented over his shell casings.

It's a hot day in Houston, with no air-conditioning in the house.

The hall opens into a living room packed with mismatched furniture—a green couch, a wooden rocker, two brown, pockmarked folding chairs—all oriented around a flat-screen television on a blond particleboard credenza against the far wall. Beer bottles lying in the corners. Boxes on the coffee table from Domino's and kfc.

This is where the shooting started. The couch cushions blossom white with gunshots, exposed foam bursting from the wounds. The floor is jigsawed with blackening stains. We've left our traces, too. Evidence markers, chalk lines. Imposing scientific regularity over the shell casings, the dropped firearms, the fallen bodies.

One on the couch, his underbelly chewed full of entry wounds. Another against the wall. His hand still clutching the automatic he never managed to jerk free of his waistband.

This was a one-sided fight. Whoever came through the front door polished these two pretty quick, then traded shots with the victim in the bathroom before advancing down the hall. Octavio Morales must have been the target. Maybe he'd tried to collect a debt from the wrong person. Only guys like this tend to be the perpetrators, not the victims.

"What do you think, March?"

I turn to find Captain Hedges at the front door, his white dress shirt translucent with sweat underneath his gray suit. He slips his Aviators off and tucks them into his breast pocket, leaving one of the curled earpieces to dangle free.

"You asking me?"

He looks around. "Is there another March in the room?"

So I'm the designated tour guide. I can't recall the last time Hedges spoke to me directly, so I'd better not complain. After soaking up some ambiance up front, I lead him down the hallway, back across the body hanging out of the bathroom.

"Looks like a hit on a local loan shark," I say. "A guy by the name of Octavio Morales. His body's in here."

When we enter the bedroom, activity halts. Lorenz and the other detectives perk up like hunting dogs, while the technicians pause over their spatter marks and surface dusting. Hedges acknowledges them all with a nod, then motions for me to continue. Before I can oblige, though, Lorenz is already cutting between us.

"I'm the lead on this," he says, ushering the captain toward the bed.

And just like that, I'm forgotten. According to my wife, when a woman reaches a certain age, she disappears. People stop noticing she's in the room. Not that this has ever happened to Charlotte, quite the reverse. But I'm beginning to understand the feeling. Beginning? Who am I kidding? I've been invisible for a long time.

I wouldn't even be here if it wasn't such a big event. An ordinary murder doesn't pull the crowds, but call in a houseful of dead gangbangers and every warm body on the sixth floor turns up. The call came in during a lull in my special duties, and I couldn't resist the itch. It's been a while since I've gotten to work a fresh murder scene.

"Looks like he was trying to hold the door shut," Lorenz is saying, miming the actions as he describes them. "They put some rounds on the door—blam, blam—and he goes reeling back. Drops his gun over there." He points out the Taurus 9mm on the carpet, a pimp special complete with gold trigger. "Then they kick the door in and light him up."

Lorenz stands over the corpse of Octavio Morales, wielding his air shotgun. He even works the pump, leaving out the sound effects this time. The gesture reminds me just how young this guy is to be in Homicide, how inexperienced.

While he's talking, I edge my way alongside the bed, putting some distance between myself and the group converging around the captain. This saves them the trouble of having to shove me aside.

The house is basically a squat. The property belongs to the bank, another foreclosure. There's no telling when Morales and his crew decided to move in, but they didn't exactly improve the place over time. The shiny brass headboard seems brand new, but the lumpy mattress is too big, drooping over the sides. And the bedding must have been salvaged from the dump. The sheets were rigid with filth long before Morales died there. My skin itches just looking at them.

I kneel and lift the sheets off the floor, peering underneath the bed. There's no point, really. The technicians have already been here. But I feel the need to look busy.

The window on the front wall casts sunlight under the far side of the bed. My eye goes to a dark line of filament silhouetted against the light, a length of cord hanging from the mattress frame. Probably nothing. But I circle around for a closer look, jostling Lorenz and a craggy-faced detective named Aguilar, who's busy explaining to the uninterested captain the significance of Morales's tats.

I crouch by the headboard, sunlight to my back, and start feeling underneath the frame for the hanging line. Once I find it—it feels like parachute cord—I trace the line back to the knot, then duck my head down for a look.

What I see stops my heart for a couple of beats. Maybe it's just the angle of my head. But the knot is secured around the mattress frame, and the end looks neatly severed with barely a hint of fraying. A fresh cut, made while the cord was drawn taut.

"Did anyone see this?" I ask.

When I glance up, nobody's looking my way. If they heard me, they're giving no sign. I scoot to the foot of the bed, running my hand over the frame. Sure enough, another knot. This time it's sliced close, leaving no dangling end. Returning to the other side, I push the sheets up and continue the search. My pulse hammering away so hard I can't believe no one else hears it. Two more knots, one at the foot of the bed, and another at the head.

I rise slowly, examining the mattress with new eyes.

Morales lies sprawled at the foot of the bed, legs off the side, arms thrown back. From above, the blood rises like a cloud, ascending several feet above his head. The pattern in the sticky sheets is not quite right.

"Sir."

I glance toward Hedges, who's nodding impatiently at Aguilar.

"Sir."

He turns to me, relieved at the interruption.

"What is it, Detective?"

Lorenz and Aguilar both turn with him, and so do the others. They blink at me, like I've just appeared out of nowhere. Even the technicians look up from their work.

"Come and see."

I get down on my knees, motioning him to follow. After a moment's hesitation, he does, careful not to get his pants dirty. I guide his hands to the knots, watching realization dawn on his face. We both cross to the opposite side of the bed, all eyes on us. He kneels without waiting for my encouragement. When his hand touches the dangling cord, he lets out a long sigh.

"Good work," he says.

Lorenz pushes his way forward. "What is it? What's under there?"

Hedges doesn't answer, and neither do I. As the detectives take turns under the bed, we exchange a glance. He looks at me in a way he hasn't for at least a year. Not since Wilcox left the unit. Even longer than that.

"When you're done here," he says under his breath, "I want you to swing by my office." Then, to the room at large: "I want a briefing in two hours. Lorenz, you better get on top of this. We'll need a blood expert to look at all this—assuming he hasn't already. And Lord help him if he already has and he missed this, that's all I can say."

And then he's gone, leaving the room deathly still in his wake.

The next moment, Lorenz has me by the sleeve, dragging me over to the corner. His voice barely a whisper. I half expect him to chew me out, so his real motive comes as a shock.

"I don't get it." He casts a glance over his shoulder, making sure no one's listening. "What's the deal with the rope?"

It takes me a second to find my voice. "They're restraints, Jerry. One at each corner, like somebody was tied spread-eagle to the bed. The blood on those sheets, it's probably from two victims. Morales and somebody the shooters took with them, after cutting her loose."

"Her?"

"Just a guess."

He takes all this onboard, then backs away, patting me on the front of the shoulder. But the pat feels like a push, too. As if he's distancing himself from me. Or from his own ignorance.

"All right," he says to the room. "Here's the situation."

Before he can launch into his speech, I'm out the door. One of the advantages of invisibility.

Outside, layers of garbage tamp down the knee-high grass out front, some bagged but most of it not: sun-bleached fast food packets, thirty-two ounce cups, empty twelve-pack beer boxes, all of it teeming with flies. The house is broad, one of the street's larger residences, complete with a double-wide carport and a driveway full of cracked concrete, rust stains, and a shiny black Escalade. The keys are probably still in Morales's pocket.

The perimeter line is being held by one Sergeant Nixon—Nix to his friends—a cop who can remember back far enough to the time when Texas produced lawmen instead of peace officers.

"Look who it is." He gives my shoulder a pat, but it's nothing like the heave-ho from Lorenz. "What are you doing at an honest-to-God murder scene? I thought you were putting in time with the cars-for-criminals team."

"I came out for old times' sake."

"Roland March," he says, looking me over. "The suicide cop."

"Don't remind me. Anybody talking around here? Neighbors witness anything?"

He glances up and down the street, like he's worried the nearby uniforms will overhear. "The lady down the way might be worth a talk. See the yellow house?"

"I think it's supposed to be white."

Nix isn't a fat man, but whenever he shrugs, his head retracts turtle-like, giving him a double chin. "We got a statement off her already, but she sure was talkative. If you're looking for the full canvassing experience, you might give her a try."

Ducking under the tape, I head for the yellow-white house. The neighborhood must have been nice once, before it was sandwiched in by apartment complexes. In southwest Houston, the complexes serve the same purpose as inner-city housing projects in other parts of the country. They're easy to secure, so gangs move in and start doing business. Colombian heroin and coke, Mexican meth, crack—it all comes through along the I-10 corridor, and the complexes serve as weigh stations.

A decade ago, there were places along here a patrol cruiser couldn't go without taking fire from one gang or another. We cracked down, and the dealers got the message. Now they stick to doing business. Everybody gets along, more or less, except for the ones in neighborhoods like this, where the trouble can't help but leak over. But there's a tension out on the streets, a lot of rumors about the Mexican cartels and the kind of trouble that might be around the corner.

I adjust the badge around my neck. Give the door a good knock.

When it opens, I'm greeted by a ripe young thing in her early twenties, bursting out of a tank top and pink shorts, pushing the door open with her foot. Glitter polish on the toenails, a flip-flop dangling. Her features are two sizes too big for her face. Huge eyes, a terrifyingly wide mouth marked out in brown liner.

I glance back at Nix, who's smiling at a cloud pattern overhead.

"Excuse me, but ... I was wondering if I could ask you a couple of questions?"

"About that over there? I didn't see nothing."

"What about earlier?" I ask. "You notice them driving up in that suv?"

"Last night you mean? I was out there in the yard. Octavio pulled up, and he had some others with him. Little Hector, I think, and someone else. They rolled down the window and whistled." If she was flattered by the attention, she gives no sign now. "They don't stay there or nothing like that. It's just their party pad."

"Did they have a woman with them?"

"People's always coming and going. I told the other policeman already."

"Well, thanks."

On the way to my car, I give Nix my best Clint Eastwood glare.

He smiles back at me. "Anytime, Detective."

I don't know which I prefer more, being ignored or jerked around.

* * *

In spite of my reptilian tolerance for heat, the air-conditioning back on the sixth floor feels great, especially given the white Freon my car's been spitting out in lieu of cool air. This is Homicide, the nerve center, humming as always with quiet intensity. The clack of keyboards is a constant, the hum of conversation. For the most part, though, the cubicles stand empty. Only a few detectives have trickled back in, filling mugs with coffee, combing the break room for anything not too stale, reviewing notes in anticipation of the big briefing.

We aren't what you'd expect. Watching television, you might think we're all scientists with guns, working our cases with calibrated precision. But we make mistakes just like anyone, and all that technical jargon can be a coping mechanism, an alternative to dark humor. Some guys like to crack jokes over the corpse, and others like to talk about castoff and trajectories and residue. We're only human, after all, and the job gets to us sometimes.

We aren't like the cops on cable, either. We aren't crooked. We aren't pushing drugs on the side, or even taking them. We're not functioning alcoholics. We don't take backhanders or use racial epithets or delight in parading our ignorance, even ironically. If anything, we pride ourselves on a certain professionalism, which means we won't beat you with a phone book or a rolled newspaper. We won't frame you, even if we know you did it.

We don't have our own reality show—a sore spot ever since the Dallas unit made its debut on The First 48—but if we did, they wouldn't have to edit out the violence, or even bleep that much of the language. For the most part, we're middle-aged and male, split pretty much down the middle between married and divorced. We dress like there's still a standard to keep up. And no matter who you are—a shirtless banger with enough ink on your skin to write a circuit court appeal or a corner skank in a skintight halter—we'll address you politely as sir or ma'am.

We are polite not because we are polite, but because we want to send you to Huntsville for the balance of your natural life, or even stick you with that needle of fate. And respect works. It's as good a way as any to send you down.

All of this is true about us. Except when it isn't. And when it isn't, all bets are off.

Don't mind my bluster, though. Like the sick jokes and the pseudoscience, it's just another way of coping. Because I'm on my way out, and realizing too late I don't want to go.

The man with all the power is Captain Drew Hedges, who sits behind glass walls and metal blinds, his door resolutely shut. In a department that's seen its share of shake-ups, Hedges has shown a knack for hanging on and, in spite of his better judgment, has a soft spot in his heart for others with the same knack, myself included. He doesn't just run the Homicide Division, he leads it, which means earning the respect of some notoriously independent-minded detectives.

I rap a knuckle against the wood, then wait. No sound from the other side. I try again. This time the door swings open.

Just inside, Lieutenant Bascombe stands with his hand on the knob, still listening to the captain's final instructions. I wait my turn. Bascombe is black, bald, and six foot four, an object lesson in intimidation. His eyes have as many signs for fury as the Eskimos have words for snow, and I've grown fluent over the years, having so often been on the receiving end of these glares. Now, fortunately, he doesn't even look my way.

"I'm not asking for perfection," the captain is saying, "but it wouldn't hurt to get some dictionaries in here. It may not seem like much, but I'm telling you, this is an embarrassment. We look like a bunch of illiterates here. Is that really the impression we want to make?"

Bascombe's nodding the whole time, trying to cut off the flow of words. I can tell he's heard enough, and if I've walked in on another lecture about the standard of spelling on reports coming out of Homicide, I can sympathize. Hedges can go from stone-cold cop one second to high school English teacher the next, and the latter incarnation is by far the more frightening.

"I'll take care of it," Bascombe says. Then, noticing me, he seizes on my presence as an excuse. "March's here to see you, sir. Let me get out of your way."

He pushes past, disappearing in the direction of his own, much smaller, office.

"Come on in," Hedges says. "Take a seat."

His jacket hangs on a rack in the corner, the sweat stains on his shirt all but dry. He's rolled his sleeves up like a man with hard labor on the agenda. I sink into one of the guest chairs, crossing my leg in an effort to look relaxed. His leathery, nut-brown face is so weatherworn that even a decade under the fluorescents hasn't raised a hint of pallor.

To look at him, you'd imagine that squint could see through any persona, plumb the depth of any lie. When I first joined the squad, I was in awe of those narrow-lidded, all-knowing eyes. But I've worked for him long enough now to realize that it's just an expression, no more indicative of insight than his starched shirts or his square, gunmetal glasses.

"You wanted to see me, sir?"

Instead of answering, he reaches behind him, pulling a book from a shelf bursting with color-coded ring binders. He slides it across the desk so I can see the cover. The Kingwood Killing. Brad Templeton's true-crime thriller. I feel a twitch under my eye.

He taps the book. "You ought to read it sometime."

"I don't have to read it. I lived it. Remember?"

"I remember. The question is, do you? The reason I wanted to talk to you is, that was good police work today."

"Thank you, sir."

"It's been a long time since I've seen that out of you."

How am I supposed to reply to that? Instead of answering, I give a noncommittal squirm. If I had my way, every copy of that book would be rounded up for incineration. It's like a yearbook photo, only worse. A reminder of someone I'd rather forget I ever was.

He sees me looking at the book and clears his throat. "Now, the fact of the matter is, you got lucky. Eventually somebody would have noticed those restraints. It just happened to be you. But I recall you used to be very lucky. You used to make your own luck. Question is, can you do it again?"

I'm getting tired of his rhetorical questions, but I don't show it. Instead, I force myself to nod. It isn't easy. My neck's as stiff as a corpse's in rigor.

"Sir, if you'd give me a chance, I think I could."

He shows me his open palms. "What did you have in mind?"

"Stop loaning me out for these special assignments. Put me back on the regular rotation. Let me work cases again. Hand the suicide cop mantle over to one of the younger guys."

His head shakes the whole time I'm talking. "You don't get it, Roland. I didn't give you these assignments. You earned them. You haven't been pulling your weight, so it was either that or cut you loose. And to be honest, that's what a lot of people have wanted me to do." His eyes flick toward the door, where Bascombe was standing a few moments before. I know the lieutenant doesn't have much love for me, but it's still a blow to realize he wants me out.

"I have a lot of experience, sir. I didn't discover those restraints by accident." His squint tightens, but I press on. "You've got Lorenz heading up that investigation, and you know it's too big a job. Coordinating something like that, it's a little more complicated than filling out a few reports and interviewing a couple of witnesses."

"You don't think he's up to it? That's too bad."

My throat dries out all the sudden. "Why's that?"

"Because I was thinking of putting you on the case with him."

"With him?" I ask. "How about putting me in charge?"

Hedges laughs. "I admire your nerve, March. But you've gotta be kidding. I mean, take a look out there." He jabs a finger at the blinds. "If I pulled a guy like Lorenz off the case and replaced him with you, I'd have a mutiny on my hands. In case you haven't noticed, your approval ratings in the bullpen are at an all-time low. Ever since Wilcox bailed—"

"But if I get results, people will have to respect that."

Whenever he has something to think over, Hedges temples his fingertips, resting his bottom lip on the steeple, bouncing his head slowly until a decision comes to him. He pauses, goes through the motions, and then sits up straight in his chair.

"Take it or leave it," he says. "You can work the case alongside Lorenz, with him as the lead, or you can keep doing what you've always done and see where it gets you. I'm sorry, Roland, but you're not in any position to bargain here. I'm throwing you a bone. You want it or not?"

I used to love this job, and there's a part of me that wants to love it again. That will take work, though. After a free fall like mine, you don't expect to summit all at once. This is a good offer. I'd be a fool not to take it.

"Well?" he asks.

Two things are holding me back. The first is Lorenz. Not his inexperience, which could be an advantage for me, but the fact that, in spite of his inexperience, he's made it so far up the ladder. The man is connected. He has friends everywhere. If he wants to, he can make my life difficult.

"I'd be working for Lorenz?"

"More or less," he says. "On this one case."

Then there's the second thing. "Would this mean I'm off the cars-for-criminals detail?"

"Well," he says, drawing the word out, widening his hands to show just how much distance he'd have to cross to pull something like that off. "When's your next show?"

"Tomorrow morning. The big Labor Day weekend haul. But to be honest, they're overstaffed as it is. They don't need me."

The hope in my voice must embarrass him, because suddenly he won't look me in the eye. "Listen, March. I can't get you out of it before tomorrow, but ... let me have a talk with Rick Villanueva and see what I can do. You'll be off the hook by Monday morning, all right? Just one more thankless task and you can start working murders again."

"Just one more?"

He nods. "But keep in mind, this is something of a probation. If you don't pull your weight on the investigation, if Lorenz comes to me with a problem, well ... my hands will be tied."

"I understand, sir. There won't be a problem."

"Make sure there isn't."

Outside, the detectives are gathering. The buzz of conversation dips as I open the door, then resumes once they realize it's just me. I pick my way through the crowd, looking for a spot on the periphery. As I walk, I feel eyes on me. Looking up, I see Lieutenant Bascombe sending one of his eloquent glares my way. Next to him, Lorenz practices his scowl. The lieutenant's lips move and Lorenz nods in reply. Whatever they're saying about me, I don't want to know.

But at least they can't ignore me anymore.

Sunday, July 4, 2010

Nightmare - Chapter 1

Nightmare
Bethany House (July 1, 2010)

by
Robin Parrish


Chapter 1


"Doesn't matter who you are or what you believe. Everybody has a ghost story."

My father said those words to me as a child whenever I would question his life's work. Scratch that. His life's obsession.

I came to learn that he was right. Everybody has had at least one of those moments when their insides say something's happening that's far outside of normal. A fleeting second when something is seen moving out of the corner of their eye. A prick at the back of the neck alerting them to a presence. A location that for no discernible reason fills them with dread.

I had plenty of my own stories of ghosts and the paranormal. As Maia Peters, daughter of the famous Malcolm and Carmen Peters, it was to be expected. I thought I knew everything there was to know about the paranormal. One warm night in New York City, I found out just how wrong I was.

A sign just inches from my face read "YOU WILL BE TERRIFIED" in a scrawled typeface. The words were blood red, splattered in a sloppy fashion across a plank of rotted wood.

I looked at the sign not with suspicion or doubt, just weariness. It was the third such sign to be thrust in my face since my friends and I had stepped into the line. It might have seemed more authentic had "Ghost Town®" not been printed in the bottom right corner of the faux wood.

"There was always this one closet at my grandparents' house that gave me the creeps when I was growing up," said Jill, rubbing her gloved hands together both to keep warm and—I assumed— out of nervousness. "It was a linen closet in the bathroom at the back of the house, and it was really dark inside. Whenever I looked in there ... I don't know. It made me feel cold all over."

Jill had been my roommate at Columbia University for our sophomore and junior years. For our senior year, I was paying extra for solo on-campus housing.

Angela, meanwhile, was Jill's best friend since high school. She was similarly coifed with long, straight hair, and talked so much like Jill that I often thought their brains were psychically linked. At Jill's words, Angela shivered slightly but smiled. "I've got one," she said, glancing around to make sure none of the other amusement park patrons in this line were listening too closely. "When I was like nine or ten, sometimes my great-aunt would pick me up after school and I'd stay at her house for a couple of hours until my dad got off work. Her husband was this really mean old guy who'd done all these awful, evil things to her, but he died before I was born. She kept this old recliner in the house that belonged to him, and I hated it. It was ratty and nasty, and it smelled funny. And when I was in the room with it alone ... I swear sometimes I could see a figure out of the corner of my eye. When I'd turn to look, there was nobody there. But for just a second, it was like this guy was standing right there watching me, and he wasn't moving. It terrified me to death, even though I eventually figured it was all in my head."

"Wow," said Jill, her eyes wide and sincere.

"Here's the really crazy part. After a few years, my aunt decided to finally get rid of that chair. And would you believe—after it was gone, I never saw the figure again."

"Ooooh," said Jill, not quite grinning but still enthusiastic. I saw Angela and her glance my direction, hoping for a response.

I think they were frustrated when I didn't react to either story. I couldn't help it; I was bored and distracted by thoughts of the beginning of classes in a few days. I leaned out and inspected the line the three of us stood in, estimating there were at least a hundred people in front of us, waiting to enter the ride. It was going to be a long night.

Jill and Angela were hardly my closest friends, if I even had anyone in my life who qualified. But Jill always paid her portion of the dorm room rent on time and never threw any parties—she just attended them elsewhere with Angela—so I found it hard to complain about the two of them. Even if I wasn't all that compatible with them, personality-wise.

They'd gone out of their way to invite me on this little presenior-

year jaunt, even though, as Angela had not so delicately put it, "We realize this isn't something you're dying to do, because of ... well, you know."

It was an unspoken but absolute rule in the dorm that no one ever talked about my upbringing. I wasn't ashamed of it, or even made uncomfortable talking about it. It wasn't some big trauma, either. It was just ... out of the ordinary. Way out. And I wasn't interested in looking back. I only wanted to look ahead.

But I had impulsively agreed to come along with them, and the pleasantly surprised faces that Jill and Angela displayed when I said yes were all too genuine, and I knew why. I was serious about my studies and my chosen major, and I wanted very badly to be taken seriously. But senior year hadn't yet begun, and as crass as I knew this silly trip would probably be, the truth was, I longed for a little company. My last friendship had ended badly, and I was surprised at how much I missed the companionship and solidarity of having someone around. It was something I'd never expected to need, but once it was gone, I wanted it more than ever.

"So what's your biggest fear?" asked Jill, trying to keep the conversation going.

"Um," ventured Angela, "forgetting to wear clothes to class?"

Jill laughed. "That's not scary, that's just embarrassing! I'm talking about knee-quivering, pee-inducing, 'I-want-my-mommy' kind of terrified. What scares you that bad?"

"I don't know," replied Angela as the three of us wormed through the zig-zagging line and I took another peek at the line's progress, trying subtly to distance myself from this conversation. "The thought of being chased through the woods by a crazed ax murderer?" Angela finally answered.

Jill laughed again. "Well, it's a cliché, but it's scary, I'll give you that. Personally, I don't think there's anything worse than a creepy little girl. I mean, think about all those old movies and video games where some bizarre, detached little girl with haunted eyes just stares blankly at everyone while terrible things happen to them. It's like she has no soul. It freaks me out just thinking about it!"

We turned another corner in the line and my eyes found a new sign. This one warned, "YOU MIGHT VOMIT."

Jill and Angela laughed nervously at the sight, but then Angela turned to me. "What about you, Maia? What's the scariest thing you've ever seen?"

My mind slowed down for a moment, and my eyes shifted slowly to Angela as an answer came immediately to mind. "Uh ... I don't think I should say."

Both girls watched me with sudden caution. Their demeanors betrayed that they knew they'd suddenly trodden into unwanted territory. "Why not?" Angela almost whispered.

The only answer I could give was the honest one.

"Because if I told you, you would wish I hadn't."

I looked away from their stunned expressions, trying to act nonchalant. Finally, after a long pause, I heard Jill exhale quickly in a halfhearted attempt at laughter, but it came out awkwardly and sounded like a nervous cough.

They quickly changed the subject. "Did you hear about that children's advocacy group that's suing Ghost Town because its rides are so scary?" asked Jill.

"That's so stupid!" replied Angela. "I mean, if you're dumb enough to bring your kids someplace like this, you deserve whatever you get."

I'd heard about it, too. It was big news. Having opened just six months ago, Ghost Town amusement park had become the hottest ticket in America. Fright junkies from all over the world were drawn to its state-of-the-art thrills and chills, which were reported to contain the most realistic recreations of the paranormal ever fashioned. I doubted that claim very much, having seen the paranormal firsthand, and knowing it to be nothing like the over-the-top digital effects displayed in Hollywood horror films.

Truth was always stranger than fiction, after all.

But the place was a source of intrigue, I had to admit. Almost as soon as it had opened, Ghost Town had landed at the center of controversy. There were endless reports of attendees suffering ongoing terrors by the things they'd experienced here, some supposedly even requiring psychiatric counseling—which of course only added to the place's popularity. The crown jewel in Ghost Town's arsenal was the Haunted House, which was supposed to be unlike any other haunted house ever built. It aimed to become known as "the definitive paranormal experience"—a guided walkthrough tour that promised a face-to-face with the most authentic depiction of ghosts and apparitions ever seen. The Haunted House ride was the most popular attraction at the park, it was the main reason for all of the controversy, and it was the very ride that the three of us were in line waiting to enter.

As our place in line moved up and we read more of the foreboding signs, each increasing in its dire predictions, I couldn't help noticing that Jill and Angela were growing progressively more anxious. Their laughs were more nervous and their jokes cracked at a higher volume.

I was no more nervous now than I was at any other time in my life. I just couldn't be.

Growing up, I'd seen and done things that these two weren't equipped to imagine. I knew it would take more than a fun house to rattle me—a lot more—no matter how technologically advanced it was.

I wondered again why I'd agreed to come along, when I had so much prep to do for school.

Angela and Jill were looking extra nervous now, but fortunately Angela could always be counted on to fill any awkward silence.

"You know that thing when you walk from a bright room into a dark room and you think you see, like, a faint light that shouldn't be in there?"

Jill had her mouth open to respond when I spoke first. I didn't mean it to come out sounding condescending, but there was a clinical tone to my voice. "It's a retinal afterimage. A trick of the eye. An impression of residual light after the light's source has left your field of vision."

"I know," replied Angela, who smiled. "But it's still creepy."

I chuckled without humor, shaking my head.

"Yeah," added Jill, "and if the dark room has a mirror, it's even more—"

Jill's words were interrupted when something lunged at the three of us from the right of the line, emitting a terrifying, otherworldly sound.

Jill and Angela both screamed at the top of their lungs, clutching at each other. It was a spectral form that glowed with a jaundiced iridescence. But it was just a fancy fake, an advanced animatronic with billowing black fabric robes and a face made to look like authentically rotting flesh that had been partially peeled off to reveal the bones underneath. It moved with smooth grace, spiraling around us, on some kind of hidden magnetic track in the ground. Its mouth looked remarkably real as it opened wide to let out its chilling scream.

But no matter how real it looked, it was just another part of the park.

We watched as it raised a single hand to point at the three of us while it "flew" away backwards on its hidden rails, off to scare some other poor souls elsewhere in the park.

My friends were pale white, but laughing now, as were half a dozen others in line on either side of us. I think it took a few moments for Jill to realize that I hadn't screamed like they had. And that I wasn't nearly as amused by all this as they were. I felt like the Grinch who stole Halloween.

"That didn't scare you at all?" Jill moaned.

My arms were crossed and had never unfolded as the "specter" attacked us. I replied, "I saw it coming." I nodded behind Jill and Angela, in the direction the animatronic creature had come from.

Jill and Angela seemed put out by my inability to be frightened, and I suddenly wondered if my lack of outward enthusiasm might be misinterpreted as being ungrateful for the invite. I decided to put some effort into perking up for their benefit.

The line moved again just then, and I caught my first glimpse of the Haunted House as the three of us rounded a corner. "Is that it?" I asked, doing my best to sound at least a little intimidated by the looks of it.

Truth be told, it wasn't what I'd expected. With the out-ofcontrol hype surrounding this walk-through "ride," I had pictured some huge monstrosity made to look like an ornate mansion that Bela Lugosi might come wafting out of in his full Dracula cape. I'd imagined seeing candles and creepy old lampposts layered with cobwebs adorning the outer edges of the attraction, a creaking, rusted iron gate that sealed off the property, and a chimney coughing out black smoke.

Ghost World's Haunted House had none of these things.

The most surprising aspect of it was its size. The Haunted House was remarkably small, made to resemble a ramshackle condemned house with no more than five or six rooms. It looked weathered and old—at least fifty years and seemingly more. It had only one level, and all its windows were boarded up, with no light escaping from inside. There was no precision to its appearance; every part of it looked like the whole structure was barely holding together. The pieces of metal and wood attached to its sides and roof were various shades of black or gray or muddy brown. It looked like something one of the hillbillies in Deliverance might have cobbled together up on a lonely mountain.

A basic screen door on the side of the house served as the entrance, resting at the end point of the line in which we stood.

It was all smoke and mirrors, of course, and I imagined that the peeling paint around the windows, the chipped mortar, and rotted wood were some sort of composite materials crafted intentionally to look weathered by decades of decay.

One final sign caught our attention. It read, "YOU MAY HAVE NIGHT TERRORS."

I had to look away in order to conceal a yawn I couldn't quite swallow.

A female amusement park worker in a blood-stained white apron smiled as she handed the three of us complimentary barf bags with the Ghost Town logo emblazoned on them. "Just in case," she said cheerfully.

I saw Angela and Jill glance at one another, their faces betraying a severe unease. The Haunted House was less than fifty feet directly ahead now, and I noticed that it had been intentionally hidden from visitors out wandering through the park by clever use of foliage and the wooden fencing surrounding the line to get in.

No doubt to add to its mystique, I thought.

One of the reasons the line was so long for the Haunted House ride was that large groups could not enter at one time. Ghost Town policy was for no more than four individuals to take the Haunted House tour together, so entrance was staggered as a few tourists were let in every few minutes.

Jill opted to keep our group to just the three of us, so when our turn finally came and the dark kitchen door creaked open by itself, only Jill, Angela, and I stepped inside.

It was almost completely dark in this first room, but the musty smell of mold and mildew saturated my senses at once. The exterior door slammed shut, seemingly on its own, and Angela and Jill jumped. Now it was totally dark and completely silent.

After a long twenty seconds of waiting, nothing happened, and all three of us were still standing in the same spot.

"Are we supposed to do something?" whispered Angela, breaking the silence.

As if in response, a deep, gravelly voice that was half whispering and half groaning spoke. The voice was distant, as if coming from somewhere else in the building, yet it was undeniably directed at us as it slowly intoned, "You ... don't ... belong ... here."

I heard my two companions holding their breath as a pair of red pinpoint lights appeared in the middle of the room and fixed on each of us in turn, disembodied eyes sizing the three of us up.

I glanced to my left and saw in the darkness that Angela and Jill had sidestepped instinctively toward each other for safety.

The deep, throaty voice spoke again, louder this time, as the two eye-lights burned brighter in intensity. "GET ... OUT ... OF ... THIS ... PLACE!"

A door across the room leading farther into the building was flung open with a bang, and without waiting to be told again, Jill and Angela fled the kitchen to enter the next room. I hesitated, appraising the two red lights, which had fixed on me now and, remarkably, followed me as I walked toward the next room.

It was a nifty effect.

Inside the next room, the kitchen door behind me shut itself silently this time. Angela and Jill were practically hugging each other in the small dining room of the house, around which were six chairs. And in each one of the chairs sat what I assumed were holographic projections of ghostly figures. The clothes or rags they wore billowed and flowed around them as if they were underwater, and the figures themselves gave off a slightly bluish glow, the only light in the room.

The figures were incredibly detailed and three-dimensional, but my opinion of the ride's quality plummeted at the sight. Real apparitions never looked anything like this. These "ghosts" were pure Hollywood magic.

My companions were far more convinced than I was. Especially when the spirit at the head of the table, an elderly man with craggy fingers and clothes that hung from his bones, turned and locked his sunken eyes directly on to Jill. His eyes were filled with hate, and seemed to pierce right through whatever remaining courage Jill was holding on to. His gaze grew in intensity and vitriol until Jill inexplicably shouted, "I'm sorry!"

I still have no idea what Jill was apologizing for, but I knew at the time that it was a knee-jerk response to something Jill found terrifying. The "spirit" looked down on her as if she lived in a gutter, judgment and fury burning in his eyes. The expression was a bit chilling, I had to admit.

The old-man apparition bared his teeth, which were broken and black, to her and opened his mouth wider and wider until it went far past the point at which a human mouth could be opened. It grew bigger and longer, and ever so slowly, he rose from his place at the table and started gliding across the floor toward her.

Jill's hand reached out and grasped Angela's just as Angela was about to slide away, leaving Jill on her own. As the old man came closer to her, but never moving at more than a snail's pace, the other five apparitions at the table rose from their seats and began inching toward both Jill and Angela.

Angela screamed as the old man came close enough to touch her, and suddenly everything went dark and a cold gust of wind blew through the room, whipping up all around us.

I was starting to understand why this place was so popular. But nothing I'd experienced had brought me remotely close to feeling fear. It was all extremely well done, using advanced technologies to astounding effect. But it was too perfect, too scripted down to the last detail, to elicit the desired response. At least from me.

I knew better.

* * *


After a bathroom, a brief detour into the basement where numerous things jumped out at us, and a bedroom, where the bed and all the furniture hung from the ceiling, we entered a long, narrow hallway. The house's power attempted to surge to life, but managed only halfhearted blinks and flickers before going out completely. Once all was quiet, something resembling a guttural growl filled the hall, and it began to shake violently, nearly forcing the three of us off our feet.

It was clever, this techno-paranormal wizardry.

I walked at a brisk pace, mostly to keep up with my terrified and sprinting friends, in an attempt to keep them from feeling ridiculous. I felt no fear at anything we'd seen or done. It was all too much like being inside a special effects–filled movie on the big screen. It may have contained a few vague references to the reality of the paranormal—evidence of someone's attempt at real-

world research—but there was nothing genuinely supernatural about any of it.

The hallway grew narrower at the far end, and I followed Jill and Angela through a small door, spilling out into yet another dark room. This one was decorated as the house's living room.

I knew we had to be near the end of the attraction, as double front doors lay directly ahead of us. But first, of course, we would have to face whatever artificial "thrills" awaited us here.

From their pale-white faces and wide-eyed expressions, I could see that my friends were ready to get out of there. I knew that in another minute or two, they would be outside in the warm night air, laughing it all off, pretending to have never been afraid at all. But right now I was sure they were sweating.

Which I suddenly realized was odd, because I was feeling a distinct cold sensation running through my entire body, hair to toenails. I had an abrupt chill, but resisted the urge to hug myself, knowing this was probably just a cleverly directed airflow built into the room.

Still, it felt oddly authentic, just like a cold spot. A real cold spot, a phenomenon I knew very well.

No lights ever came on in the room, but my eyes had adjusted enough to the darkness by now that I could make out most of the room's mundane details—a dilapidated rocking chair, a crumbling fireplace against one wall, curtains barely clinging to the windows on either side of the front doors.

I was taken aback for the first time when a mist suddenly entered the room and began to swirl about. It didn't come down through the chimney or blow in through a crack in the windows, it passed through the wall to my left. Yet this white mist didn't billow or blow, it flowed with intention, like living wind. It swirled up all around me like a tiny whirlwind, and I was surprised to find that it was no hologram or trick of lights. It was a tangible substance that I could feel touching my skin, ever so lightly.

Only a few times before had I experienced anything like it, and those occasions were genuine hauntings.

Okay, Ghost Town, I thought as the mist swirled through my hair, moving it about. I don't know how you're pulling this off, but bravo. This is your best trick yet.

A faint voice whispered in my ear, a female voice. I couldn't make out what it was saying, but if it was a special effect, it was impossibly good, because it couldn't have been coming from speakers hidden in the ceiling or the walls. It was right beside me, in the center of the room.

My heart thumped heavily as I rewound the voice in my head and thought for just a moment that it might have said my name. I instinctively grabbed my own chest, trying to coax my heart to keep beating.

My breath was visible as I exhaled, almost gasping.

The mist suddenly twisted and flew away from me and then doubled back, bearing straight down on me. Just as it was about to touch me again, it coalesced for a fraction of a second, a three-dimensional white face emerging from the vapor before the entire cloud passed through me.

I froze in place, trying to breathe, but it was as if my lungs had been submerged in ice. At the same moment the fog passed through my body, the very same moment I saw the face in the cloud, I heard the female voice whisper one last time, so faint I knew I must've been the only one to hear it. It was as if a pair of lips were less than an inch from my right ear.

"The nightmare is coming," the voice breathed in a terrified pitch.

The mist dissipated into nothing as floodlights suddenly came up and the front double doors flung themselves open. The ride was over.

Angela and Jill fled out into the safety of the amusement park, but I stood stock still, the sensations and sounds and sights I'd just experienced refusing to leave my senses.

Because the girl's voice I'd heard whispering and the face I'd seen in the mist for a fraction of a second ... I was certain that they both belonged to someone I knew.

Someone I hadn't seen or heard from in months.

Someone named Jordin Cole.